OK The geometry of the Novo Ordo Seclorum - 1

Part one
(corrections and additions: see bottom page)

UNDER THE DARK STAR OF THE VIRGIN

If you take a map of the centre of the city of Trieste, and then you draw three lines between important points of the zone, you’ll obtain a triangle. Triangles are important in the occult and exoteric shaping of the cities. Not only the Romans, but as well the Etruscans, the Greeks, the Egyptians, the Mayas, the Sumerians etc. were building their cities having as ideal reference grid the constellations in the sky. As the sect of Luciferian priests never ceased to rule the earth since at least 6,000 years, the reference to the celestial virgin, translated in the shape of streets and buildings, can be found in many modern town. For example the capital of the District of Columbia, from where the North American confederate states are ruled by a Vatican corporation, the Congress.

http://cantontruth.blogspot.com/2007_12_01_archive.html

The squared triangle shaped with the Pennsylvania avenue, with the Congress, its reference to the celestial Virgo, and the reference of her to the occult exoteric Lucifer entity, was a conscious product of the willing of those priests, who, with the help of the brother of the first American Roman Catholic bishop, the Jesuit Carroll, transformed the occult symbolism of their theological and material absolute power on earth in the shape of the building and the streets of Washington.

From the article quoted in the previous message, "The 'American' masonic cup - filled with Vatican and Jesuitical sap":

http://www.gods-kingdom-ministries.org/ffi/article.cfm?AID=38

"....L'Enfant carefully planned for the federal city to manifest the star pattern formed by three stars (all of the first magnitude) surrounding Virgo. They are: Arcturus, Spica, and Regulus. These form almost a perfect right angled triangle with Virgo inside the triangle.

The White House represents Arcturus, the guardian star, supposed to confer renown and prosperity.

The Capitol represents Regulus, the “Little King.” It shows that Congress is King, ruling from the Capitol, the place of power and command.

The Washington Monument represents Spica. On star maps, Spica is in the wheat ear held by Virgo, and so it represents future growth, nourishment, wealth, renown, and advancement.

In this way, the so-called “federal triangle” was meant to bring to earth the heavenly triangle of stars surrounding Virgo. In fact, L'Enfant originally designed this to be a perfect right-angel triangle, but the Washington Monument was ultimately constructed to one side, because, they said, the foundations were not secure enough to place it in the location drawn up by L'Enfant. Thus, the federal triangle was no longer a perfect Masonic square (right angle).

However, in moving the Monument to one side, it became a near-perfect representation of the actual location of the three stars mentioned above. These stars nearly form a right triangle, but not quite. Spica is two degrees too far south to make it a perfect right triangle. In constructing the Monument slightly off center, they made the federal triangle reflect the precise positions of the three stars!

The Mall between the Washington Monument and the Capitol was meant to portray the ecliptic—that is, the path of the Sun through the Zodiac (that is, the constellations). Constitution Avenue, which runs parallel to the Mall, has zodiacs on either side of it. The Dirkson Building on the east end of the Capitol grounds contains 12 zodiacs. On the other end of Constitution Avenue there are 3 more zodiacs. The idea was to portray the ecliptic path as America's path—that we would follow the Constitution (avenue), rather than the laws of hereditary kings. ...."

The city of Trieste is surely less important in the Novo Ordo Seclorum agenda if compared with the city of Washington D.C. And only God knows how many other cities have their brave triangle of Virgo. But the city of Trieste was important also for the (occult) building of the same American nation. Maximilian, the ‘emperor’ of Mexico, sailed from this city to ‘free’ Mexico and the North America from the cursed secular powers, exactly the year before the murdering of President Abraham Lincoln, on the 14^th April 1864. That was not the blind coincidence of unforeseeable future events. And Trieste is the centre of the particular form of nationalism, the “Irredentism”, that pushed the Italian reign to fight against the Central Empires, causing so the defeat and the vanishing of the German bloodlines governing the centre Europe – and with them the vanishing of the old Protestant power in continental Europe. So the triangle of Trieste doesn’t lie in an arbitrary location. I didn’t have fun drawing casual lines to then build an alleged product of my fantasy in order to impress people. The corners of this celestial triangle are noteworthy!

The celestial triangle found itself with a corner on the historical hill where the ancient castle – named in honour to the saint patron of the city, “saint Just” – is laying, and with the other two corners in the below plain, in two squares: Goldoni square (Carlo Goldoni,Venetian author of brilliant and satirical comedies), and Giuseppe Garibaldi square (Giuseppe Garibaldi, the “Hero of two worlds”, who unified the peninsula under the command of the Savoy bloodline). And also its inclination respect the N-S and W-E points are surely not the product of a blind coincidence. Please, note the date and location of the below sky map and then compare both triangles (if you dont see the images, please click on the void space to see them):

If you measure the angles and the sides you’ll see the nearly perfect coincidence among both triangles. I don’t have under the hands the specialized astronomical literature giving the exact angular distances and ascent of the stars, but simple measures directly realized on both maps. If you take the sides A and B of both triangles and then you calculate the rapport A/B, for the first astronomical triangle you’ll obtain 0.61 meanwhile for the urban triangle the value is 0.60. The values for the other rapport, A/C, are respectively 0.58 and 0.57. If you consider another astronomical triangle, you’ll obtain approximatively the same values:

Here the rapport A/B is 0.63 and the rapport A/C is 0.54. The astronomical triangle, calculated with an astronomical software, is more exact than the artistic triangle of the above pic. Now, in order to verify the similarity between both triangles, you have to apply a simple trigonometric theorem which states the similarity of two triangles when at least two sides and the angle between them are equal (or the sides - if they are not coincident for both triangles – at least giving the same proportion). An empirical measurement for the angle between the sides A and B of the ‘artistic’ triangle gives the approximate value of 87°, the celestial triangle 80° and the urban triangle 78°. All the values are an approximation of the true value. But also considering the unavoidable errors, it is clear that the triangle on the ground is representing the one in the sky. In a strict sense, of course, they are not geometrically similar, but in the real world it doesn’t exist two identical or similar triangles, this is only a geometrical and mathematical abstraction.

The first corner (signed with # 1) materially built was the obelisk/pillar on the hill, which has been consecrated to the victory of Italy in the WWI. The defeat of the s.c. “Central Empires” as result of the European conflict 1914 – 1918, was the partial, planned result of the long lasting war Rome is pursuing, since at least the sixteenth century, in order to submit again the riotous Northern European ‘provinces’ of its 2500 years lasting Luciferian Roman empire. Under the alibi of the “union of the Italian city of Trieste with the mother homeland Italy”, so under a national alibi, there was and is hidden the Counter Reformation war and the implacable imposition of the papal supremacy on the Northern populations. The obelisk, with its five faces (*) , was built by the Fascist regime at the top of a big flight of steps and is representing the star Spica :

Shortly, I give you here a reference also to the patron of the city whose name is also the name of the near castle. With ‘saint’ Just, one among the gods of the pagan pantheon of the Roman Catholic church, we are going directly to the core of the Saturnalia brotherhood, from which the Vatican, the Jesuit order, the ‘free’ or not Masonry are born. His image, fixed in the cathedral near the castle, the “Cattedrale di San Giusto”, at the top of the hill, shows to you the true origin of the two Masonic pillars – Boaz and Jachin:

On the top of the hill, near the castle and the cathedral, there are the ruins of the the ancient Roman temple. The cathedral is its successor, as the Roman Catholic church is only the old Roman Empire with the word “empire” translated and disguised in its theological correspondent “catholic church”. In the future I’ll return on saint Just, for now it is sufficient only to mention him.

The second corner (# 2) of this sacred triangle, the corner that, together with the first represents the side A of the celestial triangle, is sited down below the flight of steps, in Goldoni square. It takes the place of the star Arcturus of the celestial triangle. It was built some years ago and is part of a monument dedicated in honour to “all the victims” of the WWII. “All”: from the anti-fascist victims tortured and killed in the concentration camps to their Fascist and Nazi executioners who did not die “of old age in Los Angeles” like their Roman Catholic SS commandant Globocnik. Virtually the monument is also dedicated to the Italian victims of Tito’s army. But as the others, they too were sacrificial victims, “Opfern” dedicated to the underground gods of the Vatican which, through the destruction of the civil life with bloody ethnic clashes in the North Adriatic regions, pursued - first - its war of destruction, and second, its war of re-conquest of the riotous Northern European ‘provinces’. Divert the attention from your Counter Reformation goals with the ethnic and national bloody wars, and use them like a disguised military and especially theological hammer to realize – without awareness of the masses – those the same Counter Reformation goals. Here’s the monument in Goldoni square – have you still doubts about the occult importance of this city for the building of the Novo Ordo Seclorum?

An interesting particular is the light system used to enlighten this sort of alien machine. Meanwhile for the other two corners of the triangle their lights are coming from outside, this pillar has the lights inside, and so at night it gives a very sinister impression: you would agree with the surname I chose, “alien machine”, if you looked at it after the sunset (the citizens surnamed it “CD box”).

Then you had surely noted the yellow/white building just in front of the pillar. The building is the seat of the “Lega degli Istriani” (= ”League of Histrians”), the legue of the Italian Vertriebenen who have been expelled from Istria by Tito in the immediately following years after the end of WWII. My mother was six year old when she leaved Istria. The colours of the building is not responding to pure aesthetic standards. Yellow (even if in a different tone) and white are the official colours of the Vatican flag:

The flag of the Vatican theocratic despotic monarchy, whose power and despotism has been enormously increased after the ethnic hate and wars went spread in the North Adriatic regions. The oppression and violence suffered by the not Italian Slovenian and Croatian populations by the s.c. ‘Irredentist’ Italian nationalism since 150 years ago, led to the automatic consequence of further sequent violence perpetrated on the Italian community of Istria and Dalmazia after a century. Since the second half of the XIX century an abyss of hate and clashes, covered by hypocrite and false expression of ‘collaboration among ethnic groups’, is keeping the North Adriatic regions in the condition of a powder store whose keys are exclusively in the hands of the Vatican and its Jesuits controllers . So it is clear why you have here the seat of the Italian Vertriebenen from Istria. To explain better the importance, you have to know that the representatives of the “Lega degli Istriani” were the last people Joerg Haider officially met in a lunch before to die .

In the upper image you can see the virtual side delimited by the two pillars. “On the Saint Just Hill”/ “Colle di San Giusto” is visible the “Victory” pillar/obelisk. Below it the “Scalinata dei Giganti”/”Giants’ flight of steps” which connects the corner # 1 with the corner # 2. Note the entry of the tunnel, also a work of the Italian Fascist regime after the end of first World war, a work that recalls echoes of that underworld world, of which the pontifex maximus of Rome represents the ‘ponte’ aka the ‘bridge’ to enter in communication with the Hell. And approximatively, over the entrance of tunnel, , there were also the old Jewish and the evangelical cemetery – before the Bonaparte’s laws did push them outside the urban area.

It remains the third corner (#3), the third angle necessary to draw the side B and the side C. It is sited in a triangular square, the square entitled to Garibaldi. Giuseppe Garibaldi was a mason:

http://en.wikipedia.org/wiki/Giuseppe_Garibaldi

"...An active freemason, Garibaldi had little use for rituals, but thought of masonry as a network to unite progressive men as brothers both within nations and as members of a global community. He was eventually elected the grand master of the Grand Orient of Italy....".

At the top of a pillar, on the corner, shaping the angle where the sides C and B converge, there’s the statue of the Madonna, taking the celestial place of the star Regulus:

I would have putted the ‘virgin’ Mary at the top of the hill, as the star represented by that obelisk is Spica of the Virgo constellation. So for coherence this should be the right place for the Romanist ‘virgin’. But if you consider that it has five faces, all the counts fit: five like a recall to the female entity of Lucifer (Venus, Isis, etc.) and so the Regulus shaped with the form of a golden 'virgin' could represent just the image of the reflex of the essence of the first obelisk on the hill/capitol (**). In any case the three obelisks/pillars have not been placed by a blind hand but following a precise plan that must bring the reflex of the celestial design on the ground of this Jesuit city. It has to be remarked that the Madonna is looking at East-North-East, with the sight (= side C) inclined respect the parallels for 20, 21 degrees. I am interested to note if the statue, the golden statue alluding to the rays of the sun, is virtually obscured by the first obelisk on the hill during the sunset of a precise day.

The inclination of the urban triangle is about the same of its celestial twin in the month of August. The date of the image generated by an astronomical software is the 10^th August. I consulted an astronomical manual with tables referred to the sky for every month of the year. For the boreal hemisphere, in the month of August, the inclination of the celestial triangle is the same of the urban one. From the 1^st August to the 1^st September starting from the 11 PM (1^st August) to end to the 9 PM (1^st September), the stars Spica and Regulus which are tracing the ecliptic are below the horizon meanwhile Arcuturus of Boote is above the horizon. If you could see through the earth you’ll see a triangle – at a precise different hour every night, from the 11 to the 9 PM – with about the same inclination of the urban one. Why? But because in august there’s the Roman Catholic holyday of the acceptance of the ‘virgin’ Mary in the sky. Truly speaking, it seems that Rome simply turned the sense of the words, as with the month of July the Virgo constellation disappear below the horizon, in the ‘underworld’, the same underworld of which the entrance of the tunnel along the side A of the urban Virgo seems to allude. In the Romanist theological language, ‘Sky’ and ‘paradise’ are code-names for the concept of Hell and Underworld.

End of the first part.

Rat-lines in Trieste

• The geometry of the Novo Ordo Seclorum - 1
• The geometry of the Novo Ordo Seclorum - 2
• “Give me a fourteen, and I can enslave the earth”
  
• Rat-lines - 1 or: The Triangle of Virgo - conclusion and new start
  
• Rat-lines - 2 or: Rome, the Mother of All the Cornerstones

Rat-lines in Washington, D.C.

• Benjamin Franklin's Mysterious SunFire
  
• Frederic Delano's 'Family':
  U.S. National Capital Planning Commission,
  the "Committee of 100", and Covington & Burling
  
• Appearances of Power
• The Betrayal

------------- CORRECTIONS & ADDITIONS - 22 Feb '09 --------------

Evidently the obelisk is not with "evident eight faces" but with five faces. A pentagon, and so through the number 15 is linked with Venus/Isisi/'virgin' Mary/etc. cult (I am going with the memory to the Craig Oxley statements) so the obelisk is too linked with the female entity, in other word, not simply with Virgo, but more exactly with her true identity, Lucifer. For consequence, I added the sentence below, marked with (**): "But if you consider that it has five faces,.......etc........of the reflex of the essence of the first obelisk on the hill/capitol (**)".

For the female number Five (5), see the post of Feb 20 2009, 06:13 PM in "THE SATURNALIAN BROTHERHOOD EXPOSED, HOW THE 666 NIMROD LEADERSHIP THINK". In any case the reversed five pointed star of the Washington city dedicated to the cult of Virgo is esplicit.

Other corrections are the date of the sailing of Maximilian to Mexico - he didn't sail the same year of Krushov and of the suspect murder of Korolev, the Russian von Braun, but a century before, the 14 Apr. 1864. And the age of the building of the Saturnalia tunnel, the years after the first WW, because Mussolini after the second WW was only a rotten corpse laying in his hometown grave.

OK The 'American' Masonic cup - filled with Jesuitical and Vatican sap

THE s.c. 'AMERICAN' REVOLUTION:

from: God's Kingdom Ministries - serious bible studies

http://www.gods-kingdom-ministries.org/ffi/article.cfm?AID=38

------------------------------ QUOTE ----------------------------------

The Book of Revelation - Part 15
The American Revolution

Date: 01/01/2004

Issue No. 184

It would be a mistake to think that the Jesuits took control of the entire Masonic organization in the 1780's. There is a great degree of autonomy between the various lodges. Hence, we find that when Weishaupt's Illuminati was accepted by the lodges in the alliance of 1782, this did not necessarily mean that every lodge was suddenly Illuminized—not even all of the lodges in Europe itself.

In fact, this seems to have begun a struggle between two groups for the heart and soul of Masonry. As time passed, it became obvious that it was a struggle between the Jewish/Protestant interests and the Catholic interests, both of whom wanted to harness Masonry for its own purposes. The Jewish influence upon Masonry was by far the earliest. The Catholic-Jesuit influence was brought in primarily in the 1780's through Weishaupt posing as a rabidly anti-Catholic, anti-Jesuit Mason.

Masonry itself existed in various forms for a long time, but the year 1717 was the beginning of its modern form. Nesta Webster states on p. 103 of Secret Societies and Subversive Movements,

“This was followed in 1717 by the great coup d' etat when Grand Lodge was founded, and Speculative Masonry, which we now know as Freemasonry, was established on a settled basis with a ritual, rules, and constitution drawn up in due form. It is at this important date that the official history of Freemason begins.”

The first “Constitutions” of the Masonic Order were formulated by Dr. Anderson in 1723. On pages 129 and 130, Webster continues,

“The principle founders of Grand Lodge were, as we have seen, clergymen, both engaged in preaching Christian doctrines at their respective churches. It is surely therefore reasonable to conclude that Freemasonry at the time of its reorganization in 1717 was Deistic only in so far that it invited men to meet together on the common ground of a belief in God.. .. Prayers in the lodges concluded with the name of Christ. These passages were replaced much later by purely Deistic formulas under the Grand Mastership of the free-thinking Duke of Sussex in 1813.”

Freemasonry at its beginning was largely Protestant in its philosophy of religious freedom and of its twin sister, political freedom. These concepts are expressed in the basic principles of democratic government. Protestants joined forces with Jewish interests, since both considered the Roman Church as their common enemy. For this reason, Jewish Cabalism greatly influenced Masonic teachings and ritual, though not as much in Protestant circles per se.

In 1738 Catholics were banned from joining the Masonic Order by Pope Clement XIII in his bull, In Eminenti . Any Catholic who remained a member of the Masonic Order was subject to excommunication (at the Pope's discretion). Most Catholic Masons chose to ignore the papal bull. This prohibition was repeated in 1751 by Pope Benedict XIV. However, none of the Masonic Catholic monarchs were excommunicated from the Church. The Pope did not want any of them to follow England's example by forming its own state church.

Webster then tells us on page 149 that in 1743 “French Freemasonry degenerated the most rapidly. The Order was soon invaded by intriguers.” The publication of Anderson's Constitutions twenty years earlier had stated that Freemasonry was to be non-political. But a secret society such as this was too tempting for political men to ignore its potential as a tool to gain personal power. Among these were Frederick the Great of Prussia, who was initiated into Freemasonry in 1738.

It is only natural, then, that the Jesuit Order would look upon Masonry as a growing Protestant-Jewish power that could ultimately rival that of the Papacy. The Jesuits found their opportunity through Weishaupt's Illuminati to infiltrate and move up the ranks of Masonry, taking control of the leadership of many lodges. One of Weishaupt's letters shows his contempt for Protestants who were so easily fooled by Illuminism. It is quoted in Webster's Secret Societies on pages 218 and 219,

“You cannot imagine what consideration and sensation our Priest's degree is arousing. The most wonderful thing is that great Protestant and reformed theologians who belong to [Illuminism] still believe that the religious teaching imparted in it contains the true and genuine spirit of the Christian religion. Oh! men, of what cannot you be persuaded? I never thought that I should become the founder of a new religion.”

In other letters, Weishaupt laughs at Arminius, who had become one of his followers. Arminius was the champion of “free will.” Weishaupt called him “an unbearable, obstinate, arrogant, vain fool” (Webster, p. 225). The reason Weishaupt was able to fool Protestant leaders is because he couched Illuminism in the language of the Scriptures and appeared to give honor to Jesus.

Because Jesus often spoke in parables, Weishaupt and others took this to mean that Jesus had organized a secret society with secret doctrines—and that His disciples were revolutionaries trying to overthrow the Roman Empire. They interpret Jesus according to their own character and carnal motives, which is the opposite of the truth.

The parables Jesus taught can easily be interpreted if anyone simply knows the Old Testament, for they are extensions of the Old Testament story. There is no deception, no need to switch meanings. The only reason Jesus did not explain the parables to the general public was because the people would have believed what He said (Matt. 13:15)—and then they would not have crucified Him at the appointed time. Jesus knew that the Scriptures prophesied of His death in His first coming, and so He did not campaign to become Judah's King.

The American Revolution (1776-1800)

Illuminism had great influence upon America's founders through the Masonic lodges where many of them were members. Thus, when they spoke of “God,” their meaning has been debated. Some of them, like Samuel Adams and his cousin, John, meant it in the Protestant sense. Others, like Franklin and Jefferson, meant it more in a Masonic sense. This did not mean that they were atheists or even Deists in the modern sense. But it is safe to say that they were influenced by Masonic thinking.

Weishaupt himself had little direct influence on America's founders. However, Weishaupt's boss, the Jesuit General Lorenzo Ricci had great influence.

Catholic influence in America (other than the early Spanish conquerors) began with the establishment of Maryland in 1634. A few years earlier, in 1625 the British Secretary of State under King Charles Stuart, converted to Catholicism. His name was George Calvert. Because it was not appropriate for him to remain in high position under a Calvinist monarch, he resigned his post.

King Charles soon needed money, so he carved territory out of northern Virginia and granted it to Calvert. His title was Lord Baltimore. He died soon afterward, so the charter was given to his son, Cecilius Calvert.

The first two ships set sail on Nov. 22, 1633 to establish the first Catholic settlement in Maryland, supposedly named after Queen Mary, but actually in honor of Mary Magdalene. Cecilius' brother, Leonard Calvert, was its first governor. The two ships, the Ark and the Dove, were spiritually directed by Andrew White, a Jesuit priest. Andrew Wh ite became known as “the Apostle to Maryland.” Many years later, the President's residence was called the “White” House, secretly in his honor.

The American Revolution cannot be understood apart from its European context—the Jesuit Order's suppression on July 21, 1773. A month later, on August 17, Jesuit General Lorenzo Ricci met with John Mattingly of Maryland and Cardinal Giovanni Braschi, the Apostolic Treasurer for the Pope. Braschi had been educated by the Jesuits and was General Ricci's close friend. The next year, Braschi was elected Pope Pius VI.

When Pope Clement XIV died in 1774, Cardinal Braschi—as Apostolic Treasurer—was the acting Pope until a permanent Pope could be elected. Thus, he had in his hands control of the entire wealth and power of the Vatican as soon as his predecessor died Sept. 22, 1774.

All of this simply meant that General Lorenzo Ricci had a close ally and friend in the Vatican, not only in the ailing Pope but also in his successor. Yet Ricci was put under arrest on Aug. 17, 1773 and moved to the Castel Sant'Angelo. This prison had a tunnel connecting it to the Vatican, so Ricci continued to enjoy direct access to his good friend, the Pope, during his “imprisonment.”

Ricci remained “imprisoned” until Nov. 24, 1775, when his death was announced. No successor was appointed, of course. But neither is there particular reason to suppose that Ricci had really died. F. Tupper Saussy's book, Rulers of Evil, makes a rather strong case that Ricci was sent to America, where he was known anonymously as “The Professor.” Descriptions of him match Lorenzo Ricci.

This mysterious person, unnamed in history books, had a profound effect upon America's Founding Fathers. It was he who suggested using the British East India flag as the first American flag. George Washington first hoisted this flag on Jan. 2, 1776, months before the Declaration of Independence was written. When the British officers saw the flag, they cheered and saluted, thinking that it meant surrender. Instead, it meant that the American Revolution was to be fought under the flag of a Jesuit-owned company. Saussy writes on p. 168,

“And now, in 1773, the East India Company was governed by Freemasons, whose Grand Mason since 1772 was the ninth Lord Petre (his mastery would continue until 1777). Related to the Stourtons, Norolks, and Arundells, the Petre family (pronounced “Peter”) was highly esteemed by the Society of Jesus. It was the Petres who, back in the sixteenth century, bankrolled the original Jesuit missions to England.

“The East India Company's most powerful political attaché was Robert Petty, Lord Shelbourne. We recall Shelbourne as ‘The Jesuit of Berkeley Square' who worked in 1763 with Lord Bute to conclude the French and Indian Wars with the Treaty of Paris…”

It is amazing that America's Revolutionary War was fought under the flag of the East India Company owned by Jesuit Freemasons. But this is not so strange when we consider the fact that Britain was Protestant, and therefore an enemy of the Jesuits. The Jesuits wanted to weaken Britain by depriving her of her American colonies.

Secondly, America received help from Catholic France, who also wanted to weaken Britain, since the two nations seemed to be in a perpetual economic war. It is not very likely that the Catholic Church would have supported an American revolution without attempting at the same time to Catholicize the new nation. It was impossible to make each person convert to Catholicism, of course, but it was quite possible to gain control of its legal system.

The Federal City: Washington D.C.

The highest point in Washington D.C. was called Jenkins Point. In the 1790's it was owned by Daniel Carroll—brother of Catholic Bishop John Carroll. David Ovason tells us, “that in earlier times the hill had been called Rome” (The Secret Architecture of our National Capital, pp. 8). He continues, pp. 8, 9,

“Indeed, the story might easily be taken for the stuff of myth were it not supported by a long manuscript in the Maryland State Archives, at Annapolis. The deed, dated June 5, 1663, is in the name of Francis Pope, and sets out the basis for a survey of a strip of land called Rome, bounded by the inlet called Tiber.”

Symbolism is very important to secret societies, even to the Jesuits. This is why Pope's land (called “Rome”) was used to build our nation's capital, Washington D.C. It was to assert the Roman Catholic Church's claim upon America, which they still maintain on the grounds that Columbus claimed this new land for the Church. (By the way, Columbus never even saw the mainland in America. He discovered some islands in the Caribbean Sea.)

The layout for Washington D.C. was entrusted to a French Masonic engineer named Pierre-Charles L'Enfant. He got the job at the suggestion of Roman Catholic bishop John Carroll. Saussy points out that L'Enfant laid out the main city streets in the shape of an upside down five-pointed star of Baphomet, the symbol of the goat. The White House was constructed at the goat's mouth. The two ears on the sides were marked by Mt. Vernon Place and Washington Circle. The horns were marked by Logan Circle and Dupont Circle.

In surveying and laying out the new city, L'Enfant numbered the city blocks. The 600 series runs from Q Street North through the Capitol grounds down to the mouth of James Creek. On page 228 Saussy tells us,

“All the numbers between 600 and 900 are assigned to blocks within this swath—except for the number 666. That number is missing from the map. It must have been secretly affixed to the only unnumbered section of blocks in the 600 series. That section, we find, includes the Capitol grounds that once were called ‘Rome'.”

Saussy's viewpoint is perhaps a bit darker than the architects intended for it to be. This Baphomet symbol was certainly used in satanic groups, but the meaning of the pentagram depends upon who interprets it. If we interpret it according to the Masonic-Catholic intent, it should be seen more in astrological terms than satanic. The five-pointed star was a symbol of the constellation Virgo. The designer's intent was clearly to portray the federal city as the beautiful Virgin, Virgo.

George Washington's proclamation of March 30, 1791 ordered that the new city's sections should begin with a stone marker at Jones Point. This marker became the foundation stone for Washington D.C. It was laid in the ground at 3:30 p.m. on April 15, 1791. This was officially the beginning of the building of Washington D.C. The Freemasons chose that precise day and time, because, as David Ovason tells us on page 49,

“At exactly 3:30 p.m., Jupiter, the most beneficial planet in the skies, began to rise over the horizon. It was in 23 degrees of Virgo...

Jupiter, called the King's Planet, was considered to be the planet for a number of ancient capital cities, including Jerusalem and Rome. It signified rulership, because it was named after the Roman god, Jupiter, the King of the gods. Ovason continues,

“By this means, the zodiacal power of Virgo, which was called in later Masonic circles ‘the Beautiful Virgin,' was able to stamp her benign influence on the building of the f ederal city. Was this one of the contributing reasons why many astrologers have insisted that Washington D.C. is ruled by zodiacal Virgo?

“It is quite clear that the ceremonial placing of the stone related to more than merely the founding of the federal district; it was somehow linked to the future destiny of America itself.”

Ovason concludes on pages 65 and 66 by saying,

“The chances of the correspondence being mere coincidence are so remote that we must assume that whoever was directing the planning of Washington D.C., not only had a considerable knowledge of astrology, but had a vested interest in emphasizing the role of the sign Virgo.

“Time and time again, as we study the Masonic involvement in the building of this city, through almost two centuries, we shall see emphasis placed on this sign Virgo.”

Thus, Washington D.C. was represented as Virgo, the Virgin, dominated by Jupiter (Rome). From that point on, virtually all of the buildings in the nation's capital, as well as the art buildings and statues, were dedicated or established on days when Virgo was prominent. To the Freemasons, Virgo represented the Egyptian goddess, Isis. To the average Catholic, Virgo represented the Virgin Mary, mother of Jesus. To the elements within the Roman Catholic Church, Virgo was Mary Magdalene, the supposed mother of Jesus Junior—said to be the progenitor of the Merovingian line of French kings. This is the subject of the recent book, The Da Vinci Code as well as the 2001 movie, “Revelations.” And, of course, it appears in the recent movie series, “The Matrix.”

Most Roman Catholics do not realize that many powerful occult forces in the Roman Church have labored to put Mary Magdalene above Mary, the mother of Jesus. It was not always this way, but powerful forces in the Church silently made the change over the years. All of the Notre Dame churches in the world are dedicated to Mary Magdalene, not to Mary, mother of Jesus.

In the original L'Enfant design for Washington D.C., he specified that the President's house, the Capitol building, and the Washington Monument should be constructed to form a right triangle—in the shape of a Masonic square. All of these buildings were dedicated on days featuring Virgo. Ovason says on p. 255, 256,

“The White House cornerstone was laid at noon on October 13, 1792. The Moon and the Dragon's Head were in Virgo.

“The Capitol cornerstone was laid by George Washington on September 18, 1793. At that time, the Sun, Mercury, and the Dragon's Head were in Virgo.

“The Washington Monument foundation stone was laid at noon on July 4, 1848. The Moon and the Dragon's Head were in Virgo.”

The “Dragon's Head” is not the head of Draco. It is the point.. .

“.. . where the Moon intersects the path of the Sun. The term relates to an early phase of astrology when it was believed that the circuit of the Earth's satellite [Moon] was the invisible body of a stellar dragon.”

“In terms of the triangulation of the plan for Washington D.C., this means that the corners of the L'Enfant triangle were symbolically fixed into the Earth when this beneficial point—the solar-lunar meeting point—was in Virgo.

“This same triangulation is reflected in the stars gathered within and around the constellation Virgo.”

L'Enfant carefully planned for the federal city to manifest the star pattern formed by three stars (all of the first magnitude) surrounding Virgo. They are: Arcturus, Spica, and Regulus. These form almost a perfect right angled triangle with Virgo inside the triangle.

The White House represents Arcturus, the guardian star, supposed to confer renown and prosperity.

The Capitol represents Regulus, the “Little King.” It shows that Congress is King, ruling from the Capitol, the place of power and command.

The Washington Monument represents Spica. On star maps, Spica is in the wheat ear held by Virgo, and so it represents future growth, nourishment, wealth, renown, and advancement.

In this way, the so-called “federal triangle” was meant to bring to earth the heavenly triangle of stars surrounding Virgo. In fact, L'Enfant originally designed this to be a perfect right-angel triangle, but the Washington Monument was ultimately constructed to one side, because, they said, the foundations were not secure enough to place it in the location drawn up by L'Enfant. Thus, the federal triangle was no longer a perfect Masonic square (right angle).

However, in moving the Monument to one side, it became a near-perfect representation of the actual location of the three stars mentioned above. These stars nearly form a right triangle, but not quite. Spica is two degrees too far south to make it a perfect right triangle. In constructing the Monument slightly off center, they made the federal triangle reflect the precise positions of the three stars!

The Mall between the Washington Monument and the Capitol was meant to portray the ecliptic—that is, the path of the Sun through the Zodiac (that is, the constellations). Constitution Avenue, which runs parallel to the Mall, has zodiacs on either side of it. The Dirkson Building on the east end of the Capitol grounds contains 12 zodiacs. On the other end of Constitution Avenue there are 3 more zodiacs. The idea was to portray the ecliptic path as America's path—that we would follow the Constitution (avenue), rather than the laws of hereditary kings.

.............etc.

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"Trieste with the POPE":

http://picasaweb.google.com/ilirski/TriesteWithThePOPE#

Washington, the capital of the Romish-Masonic cult of the 'virgin':

http://continuingcounterreformation.blogspot.com/2009/02/ancient-mystical-power-grid-with-its.html

OK Masonry doesn't exist

There was a famous motto coming from the homeland of the Mafia, the Italian country, which was saying: “The Mafia doesn’t exist”. Policemen, investigators, inquirers, prosecutors, doing their efforts to fight the Mafia, clashed many times against that impenetrable wall of words, whose bricks had all the sentence impressed: “The Mafia doesn’t exist”. Today the Mafia has been transformed in a spectacle of the Italian (= Pontificial reign) theatrical social stage. The Jesuits ordered that the age when the “Mafia was not existing” had to finish, in order to then build the age of the “Mafia show”. To be politically correct in Italy means to ‘denounce’ the Mafia organizations. It means to ‘support the fight of heroes against the Mafia’. From a secret tool to manipulate the material society, the Mafia has been transformed by the Vatican in a tool to manipulate the immaterial society, the emotions and the brain of the people. They cleaned away their the same criminal organizations from the old ancient families who had a sort of ‘honour-code’, a code that in the new coming times would have meant only: an obstacle to the plans. Because the plans wanted: more war, more choreographed violence and blood. The old families, even if criminal, weren’t stupid. They had to use also diplomacy. In the new age diplomacy is useless. This was the bloody war age when the families did a fratricide war. Then they blessed an exponent of the Mafia criminality burying him in a church among bishops and popes in Rome: this was and is the occult signal that the Vatican is still blessing the criminal organizations. Then they putted at the head of the most important anti-Mafia organization, one of their soldier, a Romanist priest.

Today the shoeple have to be fired by a scarecrow, the bloody Mafia (Ndrangheta, Camorra, etc.) scarecrow, in order to divert the attention from the ‘respectable’ palaces where their representatives, in fornication with the Masonry, are executing the orders of the true master of the Mafia, the General Superior.

The same is possible to apply to the Masonry. “The masonry doesn’t exist” is another possible motto. It exists only an association of people doing inoffensive activity. Without power. Exactly like the Mafia. But there’s another presence in the below article. You’ll note the presence of something we usually consider lost in the past centuries: the denial of the Freedom of Conscience, cursed by Pious IX in 1864, a denial then ‘legalized’ in the First Vatican council in 1870. It emerges, even if disguised by the ‘enlightened’ speech of the text, in the obsession for the questions, in the phobia for the use of the proper brain the author, nevertheless a Mason himself, is doing. To put questions is not admitted by Rome, but as the strategic opportunity of this (ending) age suggests to her to keep a low profile, the desire coming from the rotten and turbid waters of the Tiber cannot be brought to the masses with esplicit Roman Catholic buckets. This is the reason of existence of the Masonic cup of ‘knowledge’ – the cup is different, but the contents is always the sap of the Vatican.

There are basically two different way to suppress the use of the proper brain. One method is the 'hard' method, the direct oppression of the Freedom of Speech/Consciousness. But this method has many collateral negative effects. And so it is used mostly just for these negative collateral effects. The second method is the most used, and it is summoned by the "put learning against learning" method:

http://continuingcounterreformation.blogspot.com/2008/03/romes-response-to-put-learning-against.html

http://continuingcounterreformation.blogspot.com/2008/03/free-spread-of-word-breeds-protestants.html

..... so instead to suppress the use of the brain, you have to confuse him with a useless, bombastic waste of intellectual energies which will die in thousands and thousands of blind cultural and ideological alleys. Then you can present well the truth to the massess, but no one will believe to you.

From:

http://www.freemasonry.bcy.ca/anti-masonry/washington_dc/ovason.html

David Ovason, zodiacs and Washington, DC
David Ovason cannot be labeled an anti-mason. In fact he is careful to disassociate himself from those who hold a negative opinion of Freemasonry and has, since publishing this book, become a freemason. But he is an astrologer by trade and inclination, and his perspective is strongly influenced by his own beliefs. This leads him to conclusions about Freemasonry and freemasons that are not contained within the rituals and teachings of Freemasonry. Unfortunately a number of his unsubstantiated claims can be used by those who do wish to condemn Freemasonry. For that reason a brief overview of his book is included here. He peppers his claims with such expressions as: "one suspects," "I feel," "my impression," "it is clear," "cannot be without significance," "dare we ask," "without doubt," "it is my guess," "it is quite evident," "I am left with the conviction" and a litany of would have, could have, must have beens. But no documented proof. Ovason’s premise, if not belief, is that Pierre Charles L'Enfant (b. 1754/08/02, d. 1825/06/14) and Major Ellicott (b. 1754/01/24, d. 1820) intended Pennsylvania Avenue to provide a view of the setting sun from the Capitol building annually on August 10th. The reason for this was because on that day the sun is in 17 degrees of Leo and the star Regalus sets over the White House just over half an hour after sunset, leaving the stars "Spica, in Virgo, and Arcturus in Bootes." "They are the three stars which Masons such as Pike and Brunet recognized as enclosing the constellation of Virgo." [p. 346] This, he asserts, proves "the city was intended to celebrate the mystery of Virgo — of the Egyptian Isis, the Grecian Ceres and the Christian Virgin." [p. 349] Ovason asserts his belief that Freemasonry is replete with astrological lore spilling into the cornerstone rituals and implies without proof or documentation that astrology charts were consulted before setting the several dates for cornerstone laying ceremonies. Yet he has to admit, "the zodiac appears in Masonic symbolism with surprising infrequency." [p. 171] Although he admits that "not a single documented horoscope has survived from this early period" [p. 381], he goes on to cast horoscopes for the dates of a number of cornerstone dedications and believes, from their similarity, that they prove that the dates must have been originally decided on by casting horoscopes. Ovason presumes to know the minds of the city planners and claims that they were esotericists who believed that the physical representations of symbols contained real power. Ovason poses the question, "...can it be true that such esoteric bodies as the Masons regard these ancient gods and goddesses of the steller pantheon as living beings, with the power to exude benefices and virues on certain parts of the Earth?" [p. 168-69] He doesn't answer the question, but in context it can be viewed as rhetorical, and misleading. Later he writes: "By means of the Masonic art, appropriate spiritual beings could be invited to participate in the life of a building or city with extreme precision." [p. 374] Although in context he refers to mediaeval stonemasons, the implication could be that this is a current belief. He disavowes any overtly masonic influence: "I am not suggesting for one moment that it was 'the Masons who built Washington DC', or that Masons' Lodges ever had a coordinated, formulated plan to influence the growth of the city in any way." [p. 355] But much is made of the real and imagined Masonic membership of the city’s planners and architects, and much is made of an assumed Masonic significance to symbols found in the architecture of the city’s buildings. Of L'Enfant, he claims proof of him "...almost certainly being a Mason" [p. 45] and later claims "What is not so well known, because it has only recently come to light, is that L'Enfant, who is reputed to have been the original designer of Washington DC, was probably a Mason." [p. 336]. He repeats this later: "It is very likely that L'Enfant was a Mason" [p. 405]. Then, in an endnote, he reveals: "The discovery of the manuscript revealing this information has not yet been reported in the Masonic literature, consequently I do not feel free to reveal the source of this information, which came to me by way of private conversation." [p. 456 n58]. Ovason claims that Ellicott was "now revealed in the ritual as a Masonic brother of George Washington...." [p. 47] and later asserts: "Perhaps this tie [to Washington and Franklin] was strengthened by communal Masonic interests" [p. 44], and reasserts his claim that "Even the man who drew the version of the map on which the painted map [the 1793 oil painting Washington Family by Edward Savage] was based — Andrew Ellicott — was a Mason." [p. 336] No documentation is cited. He admits in an endnote: "Although I do not doubt that Ellicott was a Mason, I have not been able to discover to which Lodge he belonged." [p. 456 n59] The only documentation associating Ellicott with the freemasons appeared shortly after Elisha Cullen Dick, Master of Alexandria Lodge No. 22, dedicated the cornerstone marker at Jones Point on April 15, 1791. Ovason quotes an unidentified newspaper account "published 13 days afterwards" [p. 48] may possibly have been Dunlop’s American Daily Advertisor, Philadelphia 28 April 1791, but the endnotes [p. 406] are unclear:

...Stewart [sic] at his right, and the Rev. James Muir at his left, followed by the reft of the fraternity, in their ufual form of proceffion, — a laftly, the citizens, two by two.
When Mr. Ellicott had afcertained the precife point from which the firft line of the diftrict was to proceed, the Mafter of the Lodge and Dr. Stewart, affifted by others of their brethren, placed the Stone ; after which a depofit of corn, wine and oil was made upon it, and the following obfervations were delivered by the Rev. James Muir: "Of America it may be faid, as it was of Judea of old, that it is a good land, and....

History of the Grand Lodge and of Freemasonry in the District of Columbia. p. 1.

What Ovason omits is the beginning half of the paragraph which details the order of the parade, placing "Mr. Ellicott and the Recorder" in the third row, several rows ahead of the Master of Alexandria-Washington Lodge No. 22 of Alexandria, Virginia, and the procession of Freemasons.¹ This press clipping does not identify Ellicott as a freemason. Note that Ellicott came from a long line of Quakers [p. 355] who do not approve of Freemasonry.

(Note of avles: probably Ellicott was not openly a Mason just as he belonged to a traditional anti-Mason social group. Was Ellicott an infiltrated Mason in the Quakers? (pardon for my heretical 'questioning'))

Ovason mentions several key figures in the construction of the city’s architecture such as John Lenthall—"in charge of the construction of the US Capitol" [p. 2]; Franklin Webster Smith (b. 1826c) , — whose "highly original architectural ideas would help revolutionize the appearance of the city." [p. 4] ; self-taught mathematician and astronomer Benjamin Banneker--who "worked on the project for only a few months: it seems that his age told against him..." [p. 6]; and influential architect Adulf Cluss who, moving to the USA in 1845 from Germany, designed the Smithsonian’s first separate museum in 1881 [p. 14], designed vaulted culverts on Tiber Creek, and oversaw the paving of avenues and planting of trees. [p. 400] He doesn't claim they were freemasons. Ovason notes that the following were freemasons but fails to demonstrate what significance their membership might have to his main premise.

• 
  
Frédéric Auguste Bartholdi: sculptor of Statue of Liberty, member of Lodge Alsace-Lorraine, Paris
• 
  
William A. Brodie: Grand Master New York, 1884
• 
  
Benjamin B. French; Grand Master 1847. Laid the cornerstone of the Smithstonian in 1847 by courtesy of Potomac Lodge No. 5, Washington DC
• 
  
James Garfield: i. 1861/11/22, p. 1861/12/23 Magnoloia Lodge No. 20, Columbus Ohio. Charter member Pentalpha Lodge No. 23
• 
  
Theodore Roosevelt: i. 1901/01/02 Matinecock Lodge No. 806; honourary member Pentalpha Lodge 1904/04/04
• 
  
Casper Buberl: Bohemian sculptor
• 
  
John Philip Sousa: Hiram Lodge No. 10 Washington DC petitioned: 1881/06/03. Sousa’s The Crusader premiering in 1888, incorporates Masonic music, according to John Philip Sousa, A Descriptive Catalogue of His Works by Paul E. Brierley. [p. 398]
• 
  
Ebenezer Sibley, English astrologer who cast USA horoscope. i. 1784 Lodge No. 79. Ancients, Portsmouth; first Master No. 253, London
• 
  
James Hoban: the architect who designed the President’s House, Master Georgetown Lodge No. 9, Federal Lodge No. 15 in 1793.
• 
  
Benjamin Henry Latrobe
• 
  
John H. B Latrobe (b. 1764/04/01) [p. 217] was elected Grand Master 22 November 1870 [p. 437]
• 
  
James Hoban, architect of the President’s House, Master of Georgetown Lodge No. 9, and Federal Lodge No. 15 in 1793.
• 
  
John Marshall, Supreme Court Justice
• 
  
Andrew Mellon, (d. 1937) secretary of the Treasury under Coolidge and Hoover, donated 15 million dollars to build a national gallery of art; he was made a freemason 1928, and Raised in 1931 [p. 448]

Ovason refers to a number of men as freemasons without citation. Robert Mills, architect of the Washington Monument and Thomas Lincoln Casey, Chief of Engineers, astronomer, architect of Washington Monument and in charge of construction of the new Library of Congress is referred to as freemason without citation. The same for astronomer, Simon Newcomb (1835-1909) and architect, Charles Bulfinch. [p. 218] Denslow makes no mention of Casey or Bulfinch but notes that there is no evidence that Mills was a freemason. Although Lieutenant Commander Henry Honeyman Gorringe [1841-1885] was a freemason, Lieutenant Richard Loveridge Hoxie is also claimed to be a freemason without citation. Gorringe transported an ancient egyptian obelisk from Egypt to New York in 1881. Of the inscriptions found under the obelisk, "...Pike came to the conclusion that they did not bear any resemblance to symbols used in Freemasonry." [p. 32] Hoxie (d. April 1930) undertook the building of underground aquaducts. [p. 37] [John Quincy Adams] "Ward [sculptor of Garfields' memorial statue] had been a personal friend of Garfield, and was almost certainly a Mason, although I have not been able to identify his Lodge." [p. 435] Architect Arthur Brown is defined as a freemason because the sculptor of a statuary on the Departmental Auditorium used his face in a representation of freemason Nathanael Greene. "This implies that Brown is revealed as a Mason." [p. 302] Interestingly enough, John Russell Pope, the architect of the House of the Temple 1733 16th street, [old temple at 433 3rd street NW - p. 320] was not a freemason [p. 223] His design was submitted 6 May 1911. Ovason is convinced that it was "Ellicott who laid out the important direction of Pennsylvania Avenue." [p. 382] The second map published on March 1792 was amended by Ellicott from L'Enfant’s original August 1791 map, changing the angles of avenues and location of squares and circles to accomodate topographical requirements [p. 59] L"Enfant’s plan had been for 15 radial avenues, one for each state. The three commissioners determined the name of the city and that the grid streets be numbered and lettered. [p. 60] Ovason notes that city commissioners Daniel Carroll and Dr. David Stuart were freemasons [p. 406] while the third commissioner, Thomas Johnson, was not. Ovason makes a number of errors about Freemasonry. He claims that the Year of Masonry is "symbolically denoting the era following the supposed foundation of the Temple of Solomon [p. 76] but later correctly notes the abbreviation A.L. refers to a creation date. The many assertians of the masonic significance of pyramids ignore the complete lack of references in masonic ritual. He perpetuates the myth that "higher degrees" are somehow more powerful or important than the Craft degrees. [p. 171] He appears unaware of the actual masonic significance of a sheaf of corn or wheat but sees references to the goddess Virgo in almost every architectural representation of agriculture or industry. Ovason defines this Virgo as the "Beautiful Virgin" in masonic iconography. He cites several illustrations of Time and the Virgin, the monument to a Master Mason, as proof that this is a key symbol or metaphor in Freemasonry, again while ignoring the complete lack of usage in masonic ritual. This leads to Ovason’s claim of a masonic significance for the virgo star-goddess without citing any reference to ritual or lectures. He claims that "Freemasons insist on calling [it] the Problem of Euclid" [p. 300] when in fact most masonic literature and ritual refers to Euclid’s 47th proposition. Equating the cornerstone laying ceremony with a banishing ritual [p. 89], and the blazing star with Sirius, Anubis, the dog star [p. 118] is simply specious. Ovason’s theory stands or falls on the assumptions that L'Enfant and Ellicott were freemasons, that freemasons held similar views about astrology that he does, and that Freemasonry places any significance in Virgo. All his assumptions are unproven and his theory fails to pass any reasonable examination. The Secret Zodiacs of Washington DC, Was the City of Stars Planned by Masons? David Ovason. Random House UK Ltd, London: 1999. ISBN: 0 7126 7909 X
1. History of the Grand Lodge and of Freemasonry in the District of Columbia. Kenton N. Harper. Grand Lodge, Washington, D.C.: 1911. p. 12.^

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Mafia doesn't exist - Masonry doesn't exist - the cult of the 'virgin' goddess doens't exist:

http://continuingcounterreformation.blogspot.com/2009/02/ancient-mystical-power-grid-with-its.html

http://avlesbeluskesexposed.blogspot.com/2009/01/and-they-even-dare-to-call-her.html

VIRGIN MARY RULES THE WORLD - AN ANTI-CHRISTIAN WORLD:

http://angelsfortruth.com/The%20US%20Capitol.html

(Taken from:

God's Kingdom Ministries )

"....Thus, Washington D.C. was represented as Virgo, the Virgin, dominated by Jupiter (Rome). From that point on, virtually all of the buildings in the nation’s capital, as well as the art buildings and statues, were dedicated or established on days when Virgo was prominent. To the Freemasons, Virgo represented the Egyptian goddess, Isis. To the average Catholic, Virgo represented the Virgin Mary, mother of Jesus. To the elements within the Roman Catholic Church, Virgo was Mary Magdalene, the supposed mother of Jesus Junior—said to be the progenitor of the Merovingian line of French kings. This is the subject of the recent book, The Da Vinci Code as well as the 2001 movie, “Revelations.” And, of course, it appears in the recent movie series, “The Matrix.”..."